graphic design for the 21th century
Graphic Design for the 21th Century
Covering a vast range of cutting-edge graphics, with politically charged anti-commercial work placed in the same context as Nike's latest ads, this book presents highlights of today's most progressive graphic currents - from signage and packaging to branding and web-design. About the editor: Charlotte and Peter Fiell have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Scandinavian Design, Designing the 21st Century, Graphic Design for the 21st Century, 1000 Lights and Contemporary Graphic Design. They also edited TASCHEN's Decorative Art series and the 12-volume domus 1928-1999. Издание на английском, французском и немецком языках.
684 Руб.
Fiell Charlotte, Fiell Peter Design of the 20th Century
All of the most important and memorable landmarks of 20th century furniture, textiles, graphics, appliances, electronics, ceramics and more, listed alphabetically by designer. About the authors: Charlotte and Peter Fiell have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Scandinavian Design, Designing the 21st Century, Graphic Design for the 21st Century, 1000 Lights and Contemporary Graphic Design. They also edited TASCHEN's Decorative Art series and the 12-volume domus 1928-1999. Издание на английском языке.
718 Руб.
Fiell Charlotte, Fiell Peter Scandinavian Design
Scandinavians are exceptionally gifted in design. They are world-famous for their inimitable, democratic designs which bridge the gap between crafts and industrial production. The marriage of beautiful, organic forms with everyday functionality is one of the primary strengths of Scandinavian design and one of the reasons why Scandinavian creations are so cherished and sought after. This guide provides a detailed look at Scandinavian design from 1900 to the present day, with in-depth entries on featured designers and design-led companies, plus essays on the similarities and differences in approach between Norway, Sweden, Finland, Iceland, and Denmark. About the author: Charlotte and Peter Fiell have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Scandinavian Design, Designing the 21st Century, Graphic Design for the 21st Century, 1000 Lights and Contemporary Graphic Design. They also edited TASCHEN's Decorative Art series and the 12-volume domus 1928-1999. Издание на английском языке.
1012 Руб.
Designing the 21st Century
How do today's brightest and best designers see the future of design? What are the defining elements of form, function, and aesthetics at the turn of the millennium? In response to these burning questions, we've put together the definitive book on cutting-edge product design, furniture, ceramics, glassware, and textiles. Including a cross-section of the world's most influential designers, from superstars to newcomers, and stunning images of their most progressive work, Designing the 21st Century is like no other book of its kind. Making it especially unique are the contributions from all designers featured: each sent us his or her answer to the question, "What is your vision for the future of design?" Crack the book to see how their revolutionary ways of thinking take shape. The experimental concepts and predictions featured here will serve as an important reference for generations to come - when researchers in 2101 want to see what was going on in design a century earlier, this is the book they'll turn to. About the editor: Charlotte and Peter Fiell have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Scandinavian Design, Designing the 21st Century, Graphic Design for the 21st Century, 1000 Lights and Contemporary Graphic Design. They also edited TASCHEN's Decorative Art series and the 12-volume domus 1928-1999. Издание на английском, французском и немецком языках.
1012 Руб.
Ambler Frances Mid-Century Modern. Icons of Design
The mid-20th century was one of the most popular, collectable and dynamic periods of international design. Drawing on the inventive style of the era, this chic little book features scores of exclusive illustrations of classic mid-century designs, from Eames chairs to Poul Henningsen lamps and George Nelson clocks, all rendered in a distinctive graphic style. Featuring over ninety pieces by sixty designers and design duos, Mid-Century Modern: Icons of Design is arranged chronologically, and includes chairs, tables, storage, lighting, and product and industrial design. Each spread includes a graphic depiction of the piece, while fact-filled and informative texts explain the designers' influences and the products' place in design history. The models, materials and designers index offers easy reference through the book. Brimming with the most recognizable and well-loved pieces from a period of design that is always in style, this book is the ideal gift for all design and interior enthusiasts.
2976 Руб.
Heller Steven, Selvaggio Marc Menu Design in Europe
A culinary and graphic travelogue through Europe Jim Heimann’s new book on Menu Design in Europe is a mouthwatering feast for the eyes, featuring hundreds of European menus from the early 19th century to the end of the millennium. At once a history of continental cuisine and a sprawling survey of graphic styles, Menu Design in Europe satisfies the craving for foodies and design enthusiasts alike. The dominance of French cuisine provided the template for the culinary delights that spread throughout (and beyond) the continent. As restaurants and dining experiences increased in the 19th century, the need for a more formal presentation of available items resulted in a range of printed menus that could be both extravagant and simple. The 1891 menu from Paris’s Le Grand Vefour, with its intricate die-cut design, evokes a bustling Belle Epoque bistro, while the 1932 menu from London’s Royal Palace Hotel transports you to the bar at a spirited, Jazz Age nightspot. On the opposite side of the design spectrum, the menu for the mid-century Lasserre restaurant expresses a surrealistic simplicity. A range of stylistic decades is represented, from masterpieces of Art Nouveau and Art Deco to the graphic appropriations of the German Democratic Republic. Also showcased are the Michelin awarded restaurants of the celebrity chef–era and rarities such as a German military menu from World War II. More than just bills of fare, these menus often represent a memorable dining experience, at times being presented with as much care and attention to detail as the meal itself. So, although one cannot sit in La Tour D’Argent in 1952 and sample its famous duck dish Le Caneton Tour d’Argent, we can surely imagine what it was like when looking at the waterfowl-themed illustration displaying the night’s offerings. Featuring an essay by graphic design historian Steven Heller and captions by leading ephemerist and antiquarian book dealer Marc Selvaggio, Menu Design In Europe features menus from leading collectors and institutions, providing a sumptuous visual banquet and historical document of two centuries of culinary traditions.
11721 Руб.
Fiell Charlotte, Fiell Peter Design Handbook
"These books are beautiful objects, well-designed and lucid." - Le Monde, Paris, on the ICONS series. Biographies: Charlotte Fiell studied at the British Institute, Florence, and at Camberwell School of Arts & Crafts, London, where she received a BA (Hons.) in the History of Drawing and Printmaking with Material Science. She later trained with Sotheby's Institute, also in London. Peter Fiell trained with Sotheby's Institute in London and later received an MA in Design Studies from Central St Martin's College of Art & Design, London. Charlotte and Peter Fiell are leading authorities on 20th and 21st-century design and have written numerous books on the subject, including Taschen's 1000 Lights, 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Scandinavian Design, Designing the 21st Century and Graphic Design for the 21st Century. They run a design consultancy specializing in the sale, acquisition, study and promotion of design artifacts. Издание на английском языке.
718 Руб.
Heimann Jim, Heller Steven, Mariani John Menu Design in America. A Visual and Culinary History of Graphic Styles and Design. 1850–1985
A la carte Appetite for art: over one hundred years of menu graphics Until restaurants became commonplace in the late 1800s, printed menus for meals were rare commodities reserved for special occasions. As restaurants proliferated, the menu became more than just a culinary listing. The design of the menu became an integral part of eating out and as such menus became a marketing tool and a favored keepsake. Menu Design is an omnibus showcasing the best examples of this graphic art. With nearly 800 examples, illustrated in vibrant color, this deluxe volume not only showcases this extraordinary collection of paper ephemera but serves as a history of restaurants and dining out in America. In addition to the menu covers, many menu interiors are featured providing a epicurean tour and insight to more than a hundred years of dining out. An introduction on the history of menu design by graphic design writer Steven Heller and extended captions by culinary historian John Mariani accompany the menus throughout the book. Various photographs of restaurants round out this compendium that will appeal to anyone who enjoys dining out and its graphic and gastronomic history. Nearly 800 stunning examples of menu design Covers more than a century of exquisite vintage design
5060 Руб.
Grandjean Rene, Jequier Gustave Ancient Egyptian Ornament in Full Color: 350 Patterns and Designs
This magnificent reproduction of two rare French design collections of the early twentieth century encompasses everything a graphic artist could wish for in ancient Egyptian decor. All the classic elements are included: funerary art, costumed figures with exotic headdresses, charioteers, religious iconography, elaborately embellished vases, magnificent sailing ships, and many exquisite patterns from interior and exterior architectural ornamentation.
371 Руб.
Muller Jens The History of Graphic Design. Volume 1. 1890–1959
A comprehensive look at hundreds of landmark projects, industry leader profiles, and illustrated timelines for each decade History is a complex business. Fortunes boom and bust, empires wax and wane, and change—whether social, political, or technological—has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design—with its vivid, neat synthesis of image and idea—has distilled the spirit of each age. This book is an in-depth history of graphic design from the end of the 19th century to the ’50s. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters). With his sweeping knowledge of the field, author Jens Muller curates the standout designs for each year alongside a running sequence of design milestones. Meanwhile, in his introductory essay, David Jury situates graphic design from its point of origin in early printing, engraving, and lithography to striking creative developments in the 19th century. Each consecutive decade is then prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. As we move on from and reflect upon the 20th century, this first volume examines the foundations of what would influence some of the fastest-changing creative fields. Combined with Volume Two—which spans from the 1960s until today—the tomes offer the most comprehensive exploration of graphic design to date and a long-overdue recognition of its enormous contribution to economics, politics, social causes, the arts, media, and the way we see the world.
15147 Руб.
Мюллер Й. The History of Graphic Design. Vol. 1: 1890-1945
History is a complex business. Fortunes boom and bust, empires wax and wane, and change—whether social, political, or technological—has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design—with its vivid, neat synthesis of image and idea—has distilled the spirit of each age.This book is an in-depth history of graphic design from the end of the 19th century to the ’50s. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters).With his sweeping knowledge of the field, author Jens Muller curates the standout designs for each year alongside a running sequence of design milestones. Meanwhile, in his introductory essay, David Jury situates graphic design from its point of origin in early printing, engraving, and lithography to striking creative developments in the 19th century. Each consecutive decade is then prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined.As we move on from and reflect upon the 20th century, this first volume examines the foundations of what would influence some of the fastest-changing creative fields. Combined with Volume Two—which spans from the 1960s until today—the tomes offer the most comprehensive exploration of graphic design to date and a long-overdue recognition of its enormous contribution to economics, politics, social causes, the arts, media, and the way we see the world.
8031 Руб.
Мюллер Й. The History of Graphic Design. Vol. 1: 1890-1945
History is a complex business. Fortunes boom and bust, empires wax and wane, and change—whether social, political, or technological—has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design—with its vivid, neat synthesis of image and idea—has distilled the spirit of each age.This book is an in-depth history of graphic design from the end of the 19th century to the ’50s. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters).With his sweeping knowledge of the field, author Jens Muller curates the standout designs for each year alongside a running sequence of design milestones. Meanwhile, in his introductory essay, David Jury situates graphic design from its point of origin in early printing, engraving, and lithography to striking creative developments in the 19th century. Each consecutive decade is then prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined.As we move on from and reflect upon the 20th century, this first volume examines the foundations of what would influence some of the fastest-changing creative fields. Combined with Volume Two—which spans from the 1960s until today—the tomes offer the most comprehensive exploration of graphic design to date and a long-overdue recognition of its enormous contribution to economics, politics, social causes, the arts, media, and the way we see the world.
8031 Руб.
Vienne Veronique, Heller Steven 100 Ideas that Changed Graphic Design
100 Ideas that Changed Graphic Design is an accessible and compact book which demonstrates how ideas influenced and defined graphic design, with stunning visual examples. It is both a great source of inspiration and a provocative record of some of the best examples of graphic design from the last hundred years. The entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white space); to objects (dust jackets, design handbooks); and methods (paper cut-outs, pixelation). 100 Ideas that Changed Graphic Design is an inspirational book for dipping into whenever ideas are needed. A great read for graphic designers and those interested in visual communication.
3241 Руб.
Poltorak Alexandr War and Peace. The Graphic Novel
Revisit the timeless classic in this graphic retelling of Tolstoy’s celebrated 1869 novel. In this beautifully rendered graphic adaptation, both fans and newcomers alike will be immersed in the world of War and Peace, one of the most celebrated Russian novels of all time, about the misadventures of Pyotr Kirillovich, Ilya Rostov, and company during the Napoleonic era of Russia. With richly detailed settings recreating the villas and ballrooms of 19th century Russia, character design based on the real-life inspirations for the figures in the book, and visual depictions of elements from the original text, War and Peace: The Graphic Novel brings Tolstoy's masterpiece to life as never before. Including forewords from Russian literature experts from the Moscow Central Library and the Leo Tolstoy Library in Moscow, this graphic adaptation distills the major plotlines and characters of the sprawling epic for readers to experience this classic novel in a whole new way.
3787 Руб.
Taborda Felipe, Wiedemann Julius Latin American Graphic Design
Comunicacion visual: the best Latin American designers from yesterday and today Comprised of 20 countries located in North, South, and Central America as well as the Caribbean Islands, Latin America is populated by over 500 million people. From Argentina to Mexico, all Latin American countries are Spanish-speaking with the exception of Portuguese-speaking Brazil. Latin America has been producing a very unique form of graphic expression for decades and this historical publication brings together the best examples from the 20th century as well as today. The book begins with an extensive historical essay about the region's contribution to design, featuring the development of graphic design in the region from 1900 to current times, while the main body of the book features A to Z entries of almost 200 designers and design offices that have built up and continue to champion the Latin design identity. Finally, a handy index facilitates access to key information in the book, such as designers' names, countries, publications, educational institutions, and famous events. About the editors: After studying graphic design in his native Brazil, Felipe Taborda spent many years in New York and London, working with renowned designers including Milton Glaser. He has taken part of important design projects in the region, is a frequent speaker and defender of Latin Culture around the world, and his works have been exhibited in more than 50 countries. He teaches and runs his design consultancy office in Rio de Janeiro, Brazil. Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. Издание на английском, немецком и французском языках.
3279 Руб.
Heimann Jim, Patton Philip Classic cars 20th Century
Henry Ford jump-started the age of the automobile with the first assembly-line car in 1908: the Model T. Over the next century the automobile evolved from chugging workhorse to tailfin-era showboat to sleek status symbol, complete with sleek hood ornament. Initially a novelty item, the car grew into a necessity of the modern age, and a vector of freedom on the open road. 20th Century Classic Cars offers a lush visual history of the automobile, decade-by-decade, via 400-plus print advertisements from the Jim Heimann Collection. Using imagery culled from a century of auto advertising, this book traces the evolution of the auto from horseless carriage to rocket on wheels-and beyond. With an introduction and chapter text by New York Times automotive writer Phil Patton, as well as an illustrated timeline, this volume highlights the technological innovations, major manufacturers and dealers, historical events, and influence of popular culture on car design. Here are car trends as reflection of the zeitgeist, from the thrifty VW Beetle to the lumbering, gas-guzzling Hummer. Time-travel through the Automobile Age, with a collection that puts you in the driver's seat. About the editor: Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles and Hollywood. His unrivaled private collection of ephemera has featured in museum exhibitions around the world and dozens of books. About the author: Phil Patton writes about car design for The New York Times, and is a contributing editor to ID magazine. He was a consultant for Curves of Steel: Streamlined Automobile Design at the Phoenix Art Museum, and Different Roads: Automobiles for the Next Century at the Museum of Modern Art in New York. Издание на английском, немецком и французском языках.
3036 Руб.